Zoë Mead’s latest Wyldest record unravels like a beautifully warped film reel, its fractured edges swirling and contorting the instrumentals into haunting, hallucinatory transmissions. This shouldn’t come as a huge surprise though. Mead’s previous outing – 2022’s excellent ‘Feed The Flowers Nightmares’ – was full of gratifying cinematic flourishes and…
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